A winter valley view from an elevated vantage — forested ridges receding into a purple-grey cloud bank, patches of snow visible through the distant tree canopy, the foreground spruce and bare deciduous trees rendered in deep coloured pencil strokes. This is the northern Canadian landscape at its most expansive and its most austere.
Glen made this piece in coloured pencil, working with the medium's characteristic texture to suggest the depth of a cold sky and the layered recession of forested hills. The composition asks the viewer to stand where Glen stood — looking out over country that goes on longer than you can see.

Listen to Glen's biography · 9 min
The full written biography is on the Biography page.
The format
Materials
View in Your Space
Imagine this work in your home before it arrives. Place it in a styled room, or on a photo of your own wall, and choose the size and frame that feel right.
Works on your phone, tablet or computer.
Shared by our collectors
Glen's work has hung in homes for decades. Here are a few pieces where they live now, photographed by the collectors themselves.
“…brings to mind fond childhood memories walking with my father.”
Linda F.
“We love the print very much. A few years ago, we had a beautiful fox arrive at our home.”
Betsy B.
“I have so many fond memories of growing up with the wildlife prints that truly inspired imagination and made our house a home.”
Michael G.
A family collection, begun in the late 1970s
“I choose prints from here because of the incredible detail and he is a Canadian artist.”
Barb R.
“It's hanging beside a lake that has Loons. Nice setting.”
Christopher W.
“This piece really brings out their personality and looks great at my cottage.”
Anne G.
“I love your father's work and will be back again for more.”
Anne G.
“Looks great in the room, and compliments the colours and theme I am going for.”
Lynda H.