{"title":"Garden Blooms","description":"\u003cp\u003eWildflowers and garden blooms painted with a botanist's precision, from Ontario's trillium to the field poppy.\u003c\/p\u003e","products":[{"product_id":"cottontail-bunny-art-print","title":"Cottontail Bunny with Violet — Giclée on Paper","description":"\u003cp\u003eA newborn cottontail — barely larger than a fist, eyes open to a world it has just discovered — sits among purple violets, its ears alert, its spotted baby coat still visible. This is as tender as wildlife art gets: the animal so young and so precisely rendered that the viewer instinctively lowers their voice. The violets surrounding it are botanically accurate, each petal placed where a violet petal would actually be.\u003c\/p\u003e\u003cp\u003eGlen's small mammal studies of young animals are among the most beloved in his catalogue. This piece achieves what the best wildlife art does — it makes the viewer feel present at a moment nature usually keeps private. Glen Loates is a member of the Royal Canadian Academy of Arts; his work has been collected internationally for over five decades.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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The hibiscus flower is painted with the botanical completeness Glen brought to all his plant subjects: the soft salmon-pink of the petals, the columnar stamen, the hibiscus leaves with their insect damage intact. The hummingbirds are painted at different scales — the hovering bird farther away, smaller; the perched bird close and precise. This 1986 watercolour is one of Glen's most luminous and warmly coloured bird-and-botanical compositions.\u003c\/p\u003e\u003cp\u003eGlen observed hummingbirds at the garden near his Ontario studio across summers, and the precision of the hovering bird's wing position shows the depth of that observation. He is a member of the Royal Canadian Academy of Arts whose bird-and-botanical compositions are among the most beloved in his catalogue.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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This 1964 painting is among Glen's most luminous early botanical works: the Pickerelweed rendered with complete precision at centre, the background impressionistic and atmospheric, the result a painting that is both scientifically accurate and visually dreamy.\u003c\/p\u003e\u003cp\u003ePickerelweed is one of the most common and most beautiful of Ontario's wetland plants, and Glen gave it a treatment that matches that beauty. Glen Loates is a member of the Royal Canadian Academy of Arts; this early botanical is one of his most distinctive and beloved wildflower works.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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This 1994 coloured pencil study is among Glen's finest botanical works: the flower's complex structure rendered with complete precision, the petals' translucency suggested through layered coloured pencil without losing their weight.\u003c\/p\u003e\u003cp\u003eGlen's botanical studies demanded the same field discipline as his wildlife work — close observation, anatomical accuracy, the patience to record what is actually there. Glen Loates is a member of the Royal Canadian Academy of Arts; his botanical works are collected alongside his wildlife paintings worldwide.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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The milkweed leaves are rendered with the same care Glen brought to all his botanical subjects: the large waxy leaves, the specific venation, the slightly glaucous surface. The composition is clean and spare — white background, plant, butterflies — which gives the orange of the Monarchs maximum intensity.\u003c\/p\u003e\u003cp\u003eGlen painted the Monarch with the awareness of a naturalist who understood its significance: the annual migration, the milkweed dependency, the way a single species can carry so much ecological meaning. The painting is both beautiful and, implicitly, a document of a creature worth caring about. Glen Loates is a member of the Royal Canadian Academy of Arts; his butterfly and insect studies demonstrate the breadth of his observational range.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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The Trumpet Vine is co-evolved with hummingbirds, its flower shape and colour adapted to exactly these birds, and Glen painted the relationship with the same ecological awareness he brought to his columbine hummingbird composition.\u003c\/p\u003e\u003cp\u003eThe two birds allow a comparison of postures: the hovering bird's wings blurred with motion, the perched bird still and sharp. Both are rendered at the level of detail that requires close study of the actual species. Glen Loates is a member of the Royal Canadian Academy of Arts; his hummingbird paintings are among the most beloved in his bird catalogue.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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This 1986 watercolour is a study in patient attention: the dove is fully aware of the observer but committed to the nest. The rhododendron leaves and fallen petals are rendered with botanical precision.\u003c\/p\u003e\u003cp\u003eGlen observed nesting birds with the discipline of a naturalist who understood how disturbing that observation could be, which is why this painting carries such remarkable stillness — it does not feel intruded upon. Glen Loates is a member of the Royal Canadian Academy of Arts; his nesting bird compositions are among the most quietly powerful in his catalogue.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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This botanical study is one of Glen's most richly coloured: the Polygala's unusual flower form, with its wing-petals and fringed crest, is rendered with complete accuracy, while the atmospheric blue-green background gives the whole composition a jewel-like intensity.\u003c\/p\u003e\u003cp\u003eThe Fringed Polygala is one of the most beautiful and least-celebrated wildflowers of the eastern Canadian forest, and Glen gave it the full attention it deserves — treating it with the same seriousness he brought to his large mammal paintings. Glen Loates is a member of the Royal Canadian Academy of Arts; this botanical work is one of his most vibrant and distinctive pieces.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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This is the perfect mutualism made visible: the columbine evolved its long red spur specifically for the long bill of the hummingbird, and the hummingbird evolved its hovering flight specifically for this kind of feeding. Glen painted the relationship as precisely as its biology.\u003c\/p\u003e\u003cp\u003eThe Red Columbine — Aquilegia canadensis — is rendered with the same botanical precision Glen brought to all his wildflower subjects: the pendant flowers, the distinctive spur, the compound leaves. Glen Loates is a member of the Royal Canadian Academy of Arts; his bird-and-botanical compositions demonstrate the dual naturalist and artistic discipline that defines his practice.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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