{"title":"Cottage \u0026 Cabin","description":"\u003cp\u003eLoons on still water, autumn maples, northern lakes and the quiet creatures of cottage country. Works chosen for the rooms where you go to slow down.\u003c\/p\u003e","products":[{"product_id":"raccoon-family-art-print","title":"Raccoon Family — Giclée on Paper","description":"\u003cp\u003eFour young raccoons at a summer stream — one hanging from a berry branch above, two at the water's edge examining the shallows, one watching from a mossy bank. The red berries in the tree above are just ripe; the stream below catches the late afternoon light. This is Glen's most complex raccoon composition: four individually characterized animals in a multi-level habitat, each doing something specific and true to raccoon behaviour.\u003c\/p\u003e\u003cp\u003eGlen's group compositions demonstrate the additional challenge of painting multiple animals convincingly — each raccoon has its own posture, its own expression, its own relationship to the space. Glen Loates is a member of the Royal Canadian Academy of Arts; this raccoon family watercolour is one of his most ambitious and warmly received small mammal compositions.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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A leopard frog sits at the lower right, barely visible but precisely rendered. The pickerelweed behind the kit is botanically exact — another wetland species given its due.\u003c\/p\u003e\u003cp\u003eThis painting brings together two classic Ontario pond species in a composition that feels witnessed rather than arranged. Glen's young-animal studies are among his most beloved, and this raccoon kit is one of the finest — the combination of charm and behavioral specificity that distinguishes his best work. Glen Loates is a member of the Royal Canadian Academy of Arts; his wildlife studies have been collected internationally for over five decades.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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Glen found the comedy in this moment without letting it slip into sentimentality. The watercolour is tight where the cubs' fur catches light, loose and atmospheric in the surrounding vegetation — exactly the kind of contrast that made his wildlife work feel alive rather than illustrated.\u003c\/p\u003e\u003cp\u003eGlen spent extended periods observing black bear behaviour in Ontario's boreal forests. He understood that the most compelling wildlife images come not from dramatic confrontations but from the small, specific moments of animal life — a cub discovering something surprising, the way they hold their bodies when uncertain. Glen Loates is a member of the Royal Canadian Academy of Arts; his work has been collected internationally for over five decades.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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This 1981 coloured pencil landscape is one of Glen's most expansive agricultural scenes: the repetition of the pumpkins across the middle distance creates a rhythm that carries the eye to the far field, where the starling murmuration provides the only movement in an otherwise still October afternoon.\u003c\/p\u003e\u003cp\u003eGlen painted the working agricultural landscape with the same observational depth he brought to wilderness subjects. The vine tangles in the foreground are as carefully rendered as any forest floor detail; the starlings in the distance are small but specific. Glen Loates is a member of the Royal Canadian Academy of Arts; this harvest landscape is one of his most atmospheric and distinctive seasonal works.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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Glen's field notes at the lower left record the specimen: Alces alces andersoni, from Bon Echo, Frontenac district, Ontario, date October 6, 1939, acquired from the Department of Lands and Forests. The scientific context is part of the painting's identity — this is a specific animal from a specific place and time, painted with the authority of someone who studied the actual specimen.\u003c\/p\u003e\u003cp\u003eThe moose in motion is among the most technically demanding of Canadian wildlife subjects: the massive body at full gallop, the water dynamics, the antlers and head position all had to be exactly right. Glen got them right. Glen Loates is a member of the Royal Canadian Academy of Arts whose large mammal studies are among the most technically accomplished in Canadian wildlife art.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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Shield rock catches the last grey light, black spruce stand wet and still, and the particular quiet that follows a Temagami summer storm settles across the landscape. Glen made this piece in coloured pencil — his chosen medium for the northern landscapes he returned to year after year — capturing the way the Canadian Shield holds colour differently after rain.\u003c\/p\u003e\u003cp\u003eTemagami was one of Glen's touchstones. He made extended field trips there across his career, sketching from the lake, from floatplanes, from rocky outcroppings above the tree line. The intimacy of this composition — the close, steep view of the cliffside and forest — tells you exactly how close to the rock he was sitting when he made it. Glen Loates is a member of the Royal Canadian Academy of Arts; his landscape work is collected alongside his celebrated wildlife paintings worldwide.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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This piece sits a little apart in Glen's catalogue — looser, more painterly, executed in coloured pencil rather than watercolour, the texture of the paper showing through every stroke.\u003c\/p\u003e\u003cp\u003eIt is the kind of scene any Canadian who has paddled north in late September knows by heart. Glen worked from his own field sketches and photographs gathered on extended trips into the boreal wilderness, where he spent weeks at a time observing the land before committing it to paper. Glen Loates is a member of the Royal Canadian Academy of Arts; his work has been collected by museums, the White House, and private collectors worldwide for over five decades.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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This 1985 watercolour is a more intimate and habitat-specific composition than the open-water loon paintings: the nest location, the cattail roots, the lily pads at lower right all precisely observed. The adult's reflection in the water, including the red eye catching the light, is one of the painting's finest passages.\u003c\/p\u003e\u003cp\u003eGlen's loon studies span several decades and approaches — open water portraits, family scenes, dramatic takeoffs. This nesting scene shows the birds at their most vulnerable and most private. Glen Loates is a member of the Royal Canadian Academy of Arts; his loon paintings are among the most beloved in his catalogue.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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Glen returned to the loon as a subject across his career, drawn back to it by the same quality that makes it Canada's most iconic bird: the combination of extraordinary beauty and the haunting call that defines summer in the Canadian north for anyone who has spent time on a lake.\u003c\/p\u003e\u003cp\u003eThis loon portrait carries the weight of all that association — Glen painted it as someone who had heard that call on Ontario lakes from childhood. The stillness of the water, the precision of the plumage, the red eye against the dark head: all of it rendered with the disciplined affection of a naturalist who loved his subject. Glen Loates is a member of the Royal Canadian Academy of Arts; his loon paintings are among the most widely held in Canadian collections.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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Glen first painted this scene as a watercolour early in his career. For the enhanced version he returned to it by hand with soft pastel, Chinese white ink and coloured pencil, applying a luminous green-and-gold background that lifts the figure off the page and refining the smallest details until every whisker, fern frond and butterfly wing carries new clarity.\u003c\/p\u003e\u003cp\u003eThis is one of Glen's Enhanced works. Working directly on a reproduction of the original painting, he reworks each piece entirely by hand, giving new life to a classic image. This giclée is made from that enhanced work and is exclusive to The Glen Loates Gallery. Glen Loates is a member of the Royal Canadian Academy of Arts, and dignitaries and notable collectors hold his work.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe one-of-a-kind enhanced work\u003c\/strong\u003e this giclée is made from, finished by Glen's own hand, is also available. \u003ca href=\"\/products\/copy-of-chipmunk-and-woodland-blue-butterfly-enhanced-art-print\" style=\"color:#1A1A1A;text-decoration:underline;text-underline-offset:4px;font-weight:600;\"\u003eView the enhanced work →\u003c\/a\u003e\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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The coloured pencil medium gives the piece a warmth that suits the subject: this is a family portrait, and the atmosphere is soft and intimate. The blue water surrounds them in a haze of atmosphere.\u003c\/p\u003e\u003cp\u003eThis image is one of the most immediately moving in Glen's catalogue — the chicks on the parent's back, that specific parental behaviour that loons perform while the young are small enough to be carried, is a sight most people have only glimpsed from a distance. Glen brought it up close and rendered it with the completeness of a naturalist who had spent time observing exactly this. Glen Loates is a member of the Royal Canadian Academy of Arts; his loon family paintings are among his most widely held works in Canadian collections.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. A 1\" white border surrounds the image, ready for the framer of your choice.\u003c\/p\u003e","brand":"Pixels","offers":[{"title":"12\" x 8.5\" \/ Archival Matte Paper","offer_id":39293023453283,"sku":"artworkid[36063947]-productid[print]-imagewidth[12]-imageheight[8.5]-paperid[archivalmattepaper]","price":61.5,"currency_code":"USD","in_stock":true},{"title":"14\" x 10\" \/ Archival Matte Paper","offer_id":39293023715427,"sku":"artworkid[36063947]-productid[print]-imagewidth[14]-imageheight[10]-paperid[archivalmattepaper]","price":73.0,"currency_code":"USD","in_stock":true},{"title":"16\" x 11.5\" \/ Archival Matte Paper","offer_id":39293023977571,"sku":"artworkid[36063947]-productid[print]-imagewidth[16]-imageheight[11.5]-paperid[archivalmattepaper]","price":90.5,"currency_code":"USD","in_stock":true},{"title":"20\" x 14.5\" \/ Archival Matte Paper","offer_id":39293024534627,"sku":"artworkid[36063947]-productid[print]-imagewidth[20]-imageheight[14.5]-paperid[archivalmattepaper]","price":109.0,"currency_code":"USD","in_stock":true},{"title":"24\" x 17.5\" \/ Archival Matte Paper","offer_id":39293025484899,"sku":"artworkid[36063947]-productid[print]-imagewidth[24]-imageheight[17.5]-paperid[archivalmattepaper]","price":133.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/7493\/6419\/products\/lessspan-style-background-color-rgb-246247248-color-rgb-283033-greater-loon-in-calm-blue-waters-art-print-lessspangreater-by-glen-loates-1.jpg?v=1777299208"},{"product_id":"trillium-art-print","title":"Trillium — Giclée on Paper","description":"\u003cp\u003eA White Trillium — Ontario's provincial flower — rendered with the botanical completeness that Glen brought to all his wildflower subjects: the three petals, the three sepals, the three leaves, the single stem rising from the forest floor. The Trillium is both botanically simple and visually perfect, and Glen treated it with the respect the subject deserves.\u003c\/p\u003e\u003cp\u003eThe White Trillium appears throughout Glen's work as a companion plant in his spring forest compositions — in his fawn paintings, his spring woodland studies, his early May scenes. This dedicated botanical study gives it the focused attention it earns as Ontario's most beloved wildflower. Glen Loates is a member of the Royal Canadian Academy of Arts; his trillium paintings are among his most symbolically resonant botanical works.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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Painted in 1966, this watercolour captures the geometry of geese in formation: the way the second bird flies slightly lower, slightly behind, the whole composition suggesting movement and altitude without a single distracting element.\u003c\/p\u003e\u003cp\u003eThe Canada Goose was one of Glen's most requested subjects — a bird that carries an almost architectural quality in flight, every feather quill visible against the sky. Glen Loates is a member of the Royal Canadian Academy of Arts; his watercolour bird studies have been collected across North America for over five decades.\u003c\/p\u003e\u003cp\u003eProduced as a museum-quality giclée on archival, acid-free paper using fade-resistant inks. 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